agency of subversion

Agency of Subversion

an excerpt from Tire Grabbers

To sift subversive elements from society, Jasper formed the Agency of Subversion. Ten levels of suspicion were established, and each and every citizen of Freedom’s Cry, from the lowest Drone Zombie to Agency Chiefs, was charted. The charts were updated weekly, and reaching level five meant automatic arrest. If, in the process of interrogation, a level-five individual divulged information implicating others in his subversion cell (it was astonishing how many detainees vehemently denied they belonged to a cell), his suspicion level was lowered. On the other hand, if an individual refused to cooperate, his suspicion level went up. Anyone reaching level eight was summarily executed on live national television. Anyone who openly questioned why there were ten levels of suspicion when no one made it past level eight was immediately given a level five rating and brought in forquestioning…

Tire Grabbers

by John Bennett (c) 2011

A Novel by John Bennett. Read by the Author.

Tire Grabbers is the story of the coming of Moloch, a horrific force that mutates out of the Era of the Great Schism and – feeding on spiritual marrow – threatens Mankind’s extinction. And it is the story of the children who challenge Moloch, with their innocence and with an army of mind creatures that they eject into the outer world and call…

Tracklist: PART I: The Awakening (track 1) PART II: Spiritual Limbo (track 4) PART III: Exile (track 11) PART IV: Journey Into Myth (track 28) PART V: The Reign Of Moloch (track 38) Total Time: 1 hour 20 minutes

Mastered at Shofar Sho Good Studios. peytonmusicatgmail.com | This is an MP3 formatted disc.

listen to John Bennett | Tire Grabbers – The Awakening (5 minutes excerpt)

“People who think there is a difference between the past, the present and the future are living in an illusion.” Albert Einstein

“it breathes in and out, it is all lungs and heart and brain, story telling at its best!” – Ann Menebroker, Sacramento, California

“Tire Grabbers is a rambunctious, ramshackle whale of a novel…” – Jim Feast, Evergreen Review

“Tire Grabbers is poetic speculative fiction at its best…” – B.L. Kennedy, Snakeskin Review

“Rarely do post-Joycean novels so boldly create language and confront history…” – David Milholland, President Oregon Cultural Heritage Commission

“The writing is edgy, fast-paced and thoroughly engaging…” – Mark Terrill, Small Press Review

[quickshop:john bennett | tire grabbers:price:16:shipping:0:shipping2:0:end]16 EURO incl. shipment cost word-wide for this audio book as a CD in format mp3

Please Note:

If you’re interested in ordering Tire Grabbers, and you live in the continental U.S., a cheaper way to do so would be to send $10 (postage included) to:

Hcolom Press
605 E. 5th Ave.
Ellensburg, WA 98926

Beam Me Up Scotty

Recently I read my novel Tire Grabbers into an audio format in a sound studio. It took weeks.

“We’ll produce it as an MP3,” the Studio Director said. “Less expensive.”

“Good idea,” I said.

“It will be one disc instead of seventeen,” he said.

“Excellent,” I said.

He gave me an MP3 disc to take home and audio proof, and when I stuck it in my CD player, nothing happened.

“It doesn’t work,” I told him over the phone.

“What do you mean?” he said.

“It doesn’t play,” I said.

“It should.”

“Well, I put it in my CD player and nothing happened.”

“That’s because it’s not a CD,” he said.

“What?” I said.

“It’s an MP3 disc. You need an MP3 player.”

“It looks like a CD to me,” I said.

“Listen,” he said. “Put it in your computer and download it into iTunes.”

“What?” I said.

“Then you can play it,” he said.

I did what he told me and fifty files popped up. I had to play them one at a time, so there was no way to test for continuity. Seventeen CDs was beginning to sound like the way to go, and I called the Studio Director and told him so.

“No, no,” he said. “You just need an MP3 player. I’ll loan you mine, come by the studio in the morning.”

He was in the control booth when I arrived, and he signaled thru the glass that he’d be with me in a minute. He was all smiles when he came out.

“Sorry about the confusion,” he said.

“No problem,” I said.

“Here,” he said, and took something out of his shirt pocket the size of a candy bar. “I’ve got earphones, too,” he said.

“What’s that?” I said.

“My MP3 player,” he said.

“Is this some sort of joke?” I said

“What?” he said.

“You can’t get a disc in that,” I said.

“What’s wrong with you?” he said.

“What’s wrong with you?” I said.

We stared at each other across a yawning chasm of technology, his face a mix of impatience and alarm.

“Trust me,” he said. “Remember how I told you to download the disc into your computer?”

“Yes,” I said.

“Well, now you download what’s on your computer into the MP3 player. The tracks will cue each other, it will play with continuity. That’s how it works.”

“How can someone play it in their car then?” I said. “That’s where people listen to audiobooks, in their cars. On their CD players.”

“They burn CDs from the files on their computers,” he said.

“Burn CDs?” I said.

“Yes.”

“It’s too complicated,” I said. “No one’s going to go thru all that.”

“You’re wrong,” he said. “People do it all the time.”

I walked around for a week with plugs in my ears and the MP3 player in my shirt pocket and listened to my fantasy novel about an inhospitable future on a device from that future, and when I was done I sat in the dark smoking and staring out the window at the moon.

“Beam me up, Scotty,” I whispered, and wondered how long it would be before that would be possible.

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