Category Archives: shards

song of myself

SONG OF MYSELF

(written in 2004)

It will be a hot time in the old town tonight. An art walk, a film festival, live music all over town. What kind of cow town is this? And here I sit on the hill after a hard day’s work, banging out yet another Shard before roaring off to band practice with Moving Mountains. This is not a good town to get old in, but it’s a great place to stay young.

When I first pulled into Rodeo Town in a U-Haul on a hot summer night 30 years ago, there were five bands playing live music in five bars around a single square block. I cut through an alley teeming with people, and by the time I reached the far end, I was stoned out of my head. I stood on the sidewalk and thought: I can live here.

Now, many years later, I’m still here, galloping along on a swayback pony blowing a tin bugle and waving a wooden sword in the air. I’m wearing a pike helmet and a rusty armored vest, purple tights and green cowboy boots. I live in a cottage with a blind dog that I fished out of the pound years ago, and I drive a car with a bent antenna, a cracked windshield and a bad transmission. On good days I
yodel at the top of my lungs.

I’ve thrown together a claptrap reality, and I’ve moved in lock, stock and barrel. I’ve done what Jim Morrison was trying to do before he slipped quietly beneath the surface in a bathtub full of water.

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the afterlife of an altar boy

The Afterlife of an Altar Boy

He lived a life of prayer-like repetition.

“Hello, I love you,” he’d say to anyone who would listen, then grab a mask from his wall of masks and slam it on.

“Losing face are we?” a woman once said, and for the briefest of moments his disappointment listed toward hope.

But it was expectation bait, and there she stood baring one breast and winking the wild wink of treachery so that he ripped the mask off again. Which was a mistake, because even in that brief time the mask had sent tendrils into his skin in search of what warmth was left in him, and a layer of flesh came away with it.

The woman tucked her breast back in and, turning the tables with the speed of blind intuition, she called out: “Help! Murder! Police!”

He did a back flip and rattled off sixteen platitudes that quicker than a flash flood landed him safely back in the illusion of normalcy.

“I…I’m sorry,” the woman said. “I must have heard you wrong. I must have had a hot flash. Please continue. On your way, I mean, continue on your way. God’s speed! May you find your lucky star, your station in life, your lost dog, integrity, 3/4 ton truck, youth, promise and whatever else you haven’t been able to hang on to.”

She trailed off. She was in uncharted waters.

He boogied on down the street.

***

Such is the afterlife of an altar boy, about the only thing he ever was good at. Try to explain that to the Gestapo, the Thought Police, the gang hanging out on the corner around the street lamp snapping their fingers and going doo-wah, doo-wah under a fat August moon.

Tea House of the August Moon. The credits roll and he makes a break for the exit from mid-row to center aisle, bumping knees and whispering, “Hello, I love you,” flinching with each “Have a nice day” fired back at him, terrified she might pop up out of nowhere with her bared breast.

But he makes it, he’s out again, free again, France/Spain who knows where the altar boy wanders, tenacious and scrubbed clean?

Hello. I love you. Don’t explain.

***

There’ a flip side to the spinning coin, to force-fed salvation, to the trickery of pony rides and cats with distemper, to the illusion of gravity. You’re a prisoner of free fall, nothing’s blocking your way, au contraire, it’s all coming up from behind, like a posse, like bounty hunters with gloved hands and drunk priests with erections.

***

You can see where his trouble lay, feigning surrender while sloshing thru a graveyard of bird bones, a communion wafer stuck to the roof of his mouth, his cassock black as nightfall, his surplice stained with altar wine.

“Hail Mary,” he whispers. “Snuggle up now and hand me what only you know I yearn for.”

There was no stock response to that. Throats were cleared and hands slipped into pockets, doing who knows what in there.

***

He misses the Stations of the Cross. The swing of the incense canister. The tinkling bell that turns wine into blood. He misses holding the gold plate under mouths open like bird beaks, heads back, eyes closed.

He takes a deep breath and continues on into the labyrinth.

These are the ingredients of the one true religion.

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the boy with the blue mohawk

The Boy with the Blue Mohawk

A jar of pickled ears. A delicacy in some parts of the world, mostly in war zones. Pain is just a feeling. It’s what we think about it that makes us suffer. Witness a boy with a blue Mohawk and 200 piercings, seven through his genitals. The blank look in his eyes. A way to rise above childhood.

Noel, noel, Christ was born on Christmas Day, and he dared to differ.

The boy with the Mohawk differs in a different way, but he suffers the same. His father came back from an exotic war with a jar of pickled ears, and the two of them got drunk one night and ate each and every one in a vain attempt at bonding. It didn’t work, and then came the piercings.

We draw and quarter our children and they retaliate with mutilation.

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static patterns of reality

Static Patterns of Reality

Start here and eventually you wind up over there. Start over there and you’re off the grid before they can saddle you up and spur you into the dog and pony show.

No one ever starts over there. You can only get there from here. What goes around doesn’t come around, because the world is flat.

There’s an advantage to absurdity–no one takes you seriously. Look out when they start taking you seriously.

Suspicion is the highest form of seriousness. The executioner’s song is always sung in a minor key. Too much suspicion turns the vocal chords brittle.

There’s no originality in suspicion. It always boils down to the same old thing–they suspect you hanker to be over there.

So keep that gleam out of your eye if you want to survive another day in the Mad Hatter’s courtyard.

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the absence of make believe

The Absence of Make Believe

He pretended he was in spring training. He pretended he was an alpha male. He pretended he’d suffered long and hard and scars appeared all over his body. He pretended he’d never been in love and love vaporized like a dream. He made believe he was on to something and strutted straight out the door.

You’d think he would have drawn some attention. You’d think someone would have called out and pointed, someone would have slapped his head and said, “Oh my god! Would you look at that?” But no one did these things. No one did anything. They were pretending not to know he was pretending. Or had been only minutes ago, alone in his dark apartment.

You can’t pretend in a group. Nature won’t abide it. Group mentality is rat-gray sameness with no wiggle room. Rigor mortis sets in when people congregate under a banner. Inflamed allegiance strikes down fancy.

Group mentality is the slow death of god. Stay inside the cool chamber of your ice-blue mind, children of make believe. What’s beyond will kill you before it knows you exist.

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teaching leonard cohen to speak dutch

Teaching Leonard Cohen to Speak Dutch

If Leonard Cohen
had written
down what
was truly
in his heart
they’d have
consigned him
to a
stove crate
down by the
Amsterdam
train station
where he’d
slowly have
learned to
speak Dutch.

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