Category Archives: shards

limericks

Limericks

I entered a limerick writing contest when I was twelve and won a catcher’s mitt. But they put me out in center field with it, and I couldn’t catch squat. And at bat I struck out repeatedly so that before long they yanked me out of the line up and made me the water boy.

I ran back and forth from the water cooler to the dugout with paper cups full of water, and the players, the boys who could catch and hit the ball, spat chew on my shoes.

I know, such a thing would be frowned upon today, especially since they were only twelve years old, but these boys were going places.

My father was determined to turn things around. He took me out after supper every night and fired fast balls into my mitt. He could pitch, he’d been all-star in college, but he didn’t make the pros. He’d snarl each time he threw the ball.

When baseball season was over I put the mitt in the bottom of my toy box under the dregs of my early childhood–a stuffed giraffe with no eyes; a music box that played The Hills Are Alive with the Sound of Music; a stack of Marvel comic books; a glass jar filled with marbles.

When spring came around again, I pretended I’d forgot all about my catcher’s mitt, but one night after super my father came into my room tossing a baseball from one hand to the other. “Let’s go,” he said.

I entered another contest and won a pellet gun. It turned out I was a dead shot. I could hit the bull’s eye every time. And then I began shooting birds and squirrels out of trees.

I joined the army when I turned seventeen, and they made me a sniper. My father said he was proud of me, but he could no longer look me in the eye.

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the journal of amazing grace

The Journal of Amazing Grace

Bix Beiderbecke standing on a pier in Davenport hears Louis Armstrong blasting away on his trumpet from the deck of a riverboat and goes out and buys a cornet.

Years later, sitting in the colored section of a segregated theater, Louis Armstrong hears Bix Beiderbecke, and after the show he meets him at the stage door and drags him off to an apartment in Queens where the two of them blow their horns all night until the sun comes up. They can’t play together in public, this black boy and this white boy, these giants of jazz.

Louis Armstrong smoked a lot of reefer, which didn’t seem to slow him down none, and Bix Beiderbecke drank a lot of alcohol, which killed him.

Actually, as any hardcore A.A. knows, drinking is but a symptom of the problem–Bix Beiderbecke died of a broken heart. He was a victim of racism. What might have saved his life is if he’d been born black.

James Baldwin turned Nelson Algren away from his motel door behind which he was entertaining black militants. James Baldwin didn’t know what Louis Armstrong knew.

Still, don’t trust anyone who walks around with a sheet over his head.

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golden buddha in a blade of grass

Golden Buddha in a Blade of Grass

I’m wading through Stranger Music, Leonard Cohen’s collected poems, written before his diamond-clean Book of Longing. The Death of a Lady’s Man section is particularly trying. So much bitterness anchored in shattered illusions of love.

And then Cohen’s Zen master pops up in one of his poems.

“Kone,” says Roshi, deep into a bottle of Courvoisier, “you should write cricket poem.”

It’s the summer of 1977, and they’re sitting in the dark in a cabin on Mt. Baldy with the door open to let the breeze in, listening to the crickets.

“I’ve already written a cricket poem,” says Leonard. “Two years ago. Right here in this cabin.”

They sit in the darkness a while longer, and then Roshi says, “Kone, what is the source of this world?”

When Leonard can provide no answer, Roshi says, “Ah…difficult…” And then, in a soft voice: “Yah, Kone…you should write more sad.”

Then he rings a little bell and Leonard bows and leaves.

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cold turkey

Cold Turkey

He was keeping a Big Secret. He had it stuffed into a Genie Jug along with a swarm of alcoholic ravings. He kept the jug under his bed.

Each night before slipping into sleep he took the plug out of the jug and put his nose to the opening. He inhaled deeply, and his head filled with hot shafts of light. He eased back into his pillow.

“Bless me Father,” he said.

“God grant me the serenity,” he said.

“Free me of bondage,” he said.

“Wipe the motherfuckers from the face of the earth,” he said, inventing his own prayer.

“Bring me a woman to cook and to love me.”

“Don’t let my hair turn gray, don’t let me get fat.”

“Fix the car, the leaky faucet, the strange bulge in my dead son’s bedroom wall.

He was twelve days sober and he didn’t think he’d make it.

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a whole life worth living

A Whole Life Worth Living

Nothing much left to say, especially to the Mad Hatter and the Lopsided Queen. The days of the Thin Man are over, the streets swept clean. Pain has vanished into a jar of smiles. All bets are off on the Dark Horse.

It’s been a good run, over glass shards and thru mine fields, atonement veiled over war-torn irrevocable days.

Five years ago and two generations past mine, a baby boy the size of a bread loaf was born into the arms of my granddaughter, giving me, in a strange way, a new lease on life.

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listen

Listen

Hear me out. Listen to what I’ve been saying since the cows came home. No one knows where they’ve been or why they left in the first place, but there they are again, clustered around the elephant in the living room.

I’m talking to whoever will listen. Waiting for someone to clear his throat.

Early one morning at the age of six I found a box of puppies in a patch of woods and brought them home. My grandfather drowned them in a tub of water.

Things were tough. There wasn’t enough food to feed the family, leave alone a box of puppies – which is probably why they wound up in the box in the first place.

That’s when I began to pull back from society.

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