Category Archives: shards

commercial product

Commercial Product

It’s threatening to rain on my parade. To bring down the Big Top without the aid of elephants. To turn John Henry’s hammer radioactive. To erase all the gingerbread crumbs in the forest.

Well, things could be worse. Aunt Rose could still come for Christmas. Reruns could disappear from TV. The loaves could refuse to multiply and water could hold its ground against miracles. Watanka could sign a contract with Disneyland.

It was D.F. Wallace who recognized that almost all modern literature contains references to commercial product. They declared him a genius and then he hanged himself with rope made by North Face.

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doorway to the future

Doorway to the Future

He came knocking on my door late one night, I don’t know why, I hardly know him, but there he was, apologizing non-stop for disturbing me, and I said, “Jesus, enough already, come on in, take your coat off, sit down for Christ’s sake, you want some tea or something?”

“No-no,” he said, “that won’t help, nothing will help, I–”

“You still haven’t taken your coat off, take off your coat – you want a cigarette? Here, try one of these.” I handed him a hand-rolled.

“I’m trying to quit,” he said. I struck a match and he lit up.

We sat there smoking and he went on and on, he said life wasn’t worth living, there was no reason to go on, he didn’t even have his guitar anymore, he had to hock his guitar, and I jumped up and went in the other room and got my old Gibson acoustic.

“Here,” I said, “a Christmas present,” and he said, “I don’t even know if I can play anymore, I –”

Just do it!” I said. “Play that sonofabitch!”

He shook his head, the guitar hanging loose, dragging on the floor, and I yanked it away from him and smashed it against the TV, which put cracks in the body and snapped four strings on the neck, all but the low E and the D. Then I tossed it in his lap and said, “Do it! Whale on that mother!” He looked at me like I’d gone mad.

I stormed out of the room and came back with a case of blues harps and a 16-hole Suzuki chromatic, I yanked the guitar back again and ripped away on those two strings and ran my fingers up and down the frets and then I tossed it back in his lap. “Come on, man!” I said. “Rock the fuck out!”

Something snapped in him then, his eyes went wild, and he started in.

I pickup up one blues harp after another, damn near blew the reeds out of each one and then tossed it against the wall and picked up another while he ripped away on those two strings and began to howl like a dog and then I picked up the Suzuki and with my teeth ripped off the bottom reed-plate cover and played it like that, working the hell out of the button, and then the last two strings went twang and snapped and he bashed the guitar to smithereens against the edge of the table. I threw the Suzuki into the stand-up lamp and smashed the bulb. The two of us stood there in the dark laughing like hyenas until we didn’t have anything left in us.

“Thanks, man,” he said at the door, and I said, “No problem.”

“Maybe we should start a group,” he said, and I said, “Well, maybe. Go home and sleep on it.”

“Right,” he said. “That’s what I’m going to do,” and I said “Alright.”

He’s young and thinks he’s opened a doorway to the future.

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don’t come around here no more

Don’t Come Around Here No More

Don’t address the problem, address the envelope. Stick the problem in the envelope. Seal it. Hold on there, what are you doing with that stamp? My God, you’re going to mail it? Look at who it’s addressed to, is that someone you want to share your problems with?

I notice you didn’t put down a return address. Do you think you can get off that easy, by dumping your problems on someone else? And that’s a pretty thick envelope, how many problems are in there? Boy, are you a piece of work.

What do you mean, why did I tell you to put the problem in the envelope? To take your mind off it, that’s why. To give you something to do with your hands. Not to mail it, for Christ’s sake. What I was going to tell you to do next was burn it. That’s right, torch the sucker. It’s not too late. You haven’t put the stamp on yet. You haven’t dropped it in the mailbox.

But hey, here’s another idea. Why not put the stamp on, take it down to the mailbox, and drop it in. But torch it first, then drop it in, and run like hell. Yeah, right, it’s a federal offense, but think of the rush as you round the corner, sirens going off all over the place. That should be enough to take your mind off your problems. That should be enough to get you lost in the moment.

Me, I don’t have problems. Not anymore. I turned them into role models. It takes some doing, you’re not ready for that yet, you can’t even get the envelope thing right. The best you can hope for at this stage is to turn your problems into a crisis. Don’t feel bad, most people don’t even get that far.

Why am I helping you? What makes you think I’m helping you? Why would I want to do that? I’m helping myself. The world is cluttered with people with problems they don’t have a clue how to deal with. I’m drowning in other people’s problems, I need a breath of fresh air.

The trick is not to deal with your problems, not to address them, the trick is to transform them. Setting the mailbox on fire would be a good place to start.

And then do me a favor. Don’t come around here no more.

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pods & transformations

Pods & Transformations

In essential ways, I disassociate myself from the world around me on a continuing and escalating scale. And inside me is a tiny entity that disassociates itself from me, not on a sliding scale, but absolutely. I sometimes wonder how it got there, if perhaps the world I disassociate from planted it at some opportune moment while I slept. This would imply that this world is not, at bottom, the diverse mass of overlapping conflicts it appears to be, but is (or is rapidly becoming) a single entity controlled by a single-minded, subliminal wish to achieve absolute uniformity.

Suddenly I have a flash insight into Jack Finney’s book, Invasion of the Body Snatchers, and the film versions the book has spawned every twenty years or so since its publication in the early 50s.

***

The premise for Body Snatchers is that aliens, in the form of giant pods which have been floating through space for light years, have drifted to earth, and while people sleep, these pods initiate a process of replicating them in every physical, mental and psychic detail–the only thing that doesn’t carry over are emotions. When the process is complete, the human prototype crumbles into dust and is disposed of by its alien replication, which then assumes the life of the person it has replaced. The replicas multiply exponentially and cannot be distinguished from humans except by random ultra-sensitive individuals who are taken for crazy if they sound the alarm.

The book, and at least one film adaptation, spins a happy ending, a triumph of fierce human emotions over the robot-like, advanced, emotionally flat-line intelligence of the pods; the other film versions make no such concession to improbable happy endings, and–given the dynamics of the replication phenomenon– ring truer.

***

I’ve been witnessing such a process taking place in human beings since I was a small child, but what triggers it is more subtle than seed pods drifting in from outer space; something essential is being leached from the core of the human spirit, not all at once as in the movies and the book, but evaporating slowly, generation after generation. We are not being taken over by an alien species with a preordained survival agenda, we are losing our essential humanity from the inside out through our own choices and actions.

The entity inside me that is not a part of me begins to look suspiciously like a giant pod.

I must never let it lull me to sleep.

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thumbnail apocalypse

Thumbnail Apocalypse

Tripping the light fantastic and watching it skid face-first thru the gravel. Dirty tricks in the boy’s room. Grudge matches without striking flint. Michigan without Flint. Detroit without cars. Game-show hosts with nickel-plated knee caps. As fast as it seems things are going, they’re just three feet off the launch pad.

Pad the expense account, your suit-jacket shoulders, your floppy loose bra. Don’t go crying to mama, do you think she’s got time to raise you?

There was a time every phone had a cord, every TV a test pattern, every weapon a failsafe.

Here little Dutch boy, stick your thumb in this dike.

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torch bearers

Torch Bearers

I’ve made four lists.

The first contains the names of people who if they try to get up and make a speech at my wake (and it’s going to be one hell of a blowout), throw the fuckers out the door, who let them in in the first place?

The second list contains the names of people who mean well but grow maudlin. Let them speak, but encourage them to be brief.

The third list is made up of people I’ve loved passionately. They may say and do whatever they please, even those who denounce me.

The fourth list consists of people who have a deep understanding of my writing. Demand complete silence if any of them should choose to speak, although most of them won’t, and the best of them won’t even show up.

No matter where you scatter my ashes, it’s in their dreams that the gray dust will settle.

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