Category Archives: shards

the power of inference

The Power of Inference

The Committee sent in a poetry prof with a published-books list as long as your arm, an NEA writer’s grant, and three chap competition wins under his belt. He gave me to understand that the obvious comes across more persuasively when it’s inferred and not shoved down people’s throats–the Committee would be pleased if I were to take this into consideration.

“What are you inferring?” I said.

“What?” he said.

I whipped out my dick and pissed on his shoes and he ran off down the road like someone was chasing him with an icepick.

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the way life & death collide head-on like freight trains in a pop culture popularity contest

The Way Life & Death Collide Head-on Like Freight Trains in a Pop Culture Popularity Contest

 

He jumped into the sand pit like a dried-up mud wrestler and the camera swiveled his way.

Up on stage someone from South Central sticks in his thumb and impales a plum, does the same with the other thumb.

The camera pans to catch his act and misses the mud wrestler getting sucked down into the sand.

How far down do you go when that happens? What are your thoughts, your chances? How much horror does it take to shatter the sitcom mind?

Plum Boy goes down on his haunches and begins banging away with his plum thumbs on two Folger’s coffee tins half filled with pebbles. The panel holds up its score cards–3 tens, a six and a nine.

The plumbs get battered to pulp. Plum Boy keeps right on drumming, his trifocals splattered with plumb juice.

The audience either hoots or cheers in response to a cue card.

The global prime-time television audience masturbates, fornicates, devours bags of potato chips and vast quantities of beer.

The dog lies on the hallway rug with his head on his paws and his eyes closed, thinking, “Alpo. Science Diet. Dog Bone.”

Megafiction, mega churches, mega-ton bombs. Almost seventy years after the Holocaust, the hand-me-down story is still being told. The remaining survivors were only five or six when it happened. Until they were liberated and given Hershey bars they thought people everywhere were either well-fed and wore jackboots or were nothing more than rib cages with large melancholy eyes that went off to the showers and were never seen again. Or got made into lamp shades.

Ronald McDonald, nine feet tall and growing taller by the minute, marches into Berlin and takes over the Wurst trade.

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the fool on the hill

The Fool on the Hill

I wrote a synopsis. I wrote a cover letter. I wrote an apology to the Fool who lives on the hill.

Right away someone thinks that’s hill with a capital. Capitol Hill. Not as important as a hill of beans when push comes to shove. Push comes to shove and the Grand Idiot slams his fist down on the shiny red button. Up, up and away. Missiles raining down all over the place. One way to draw attention from a failed economy and a corporate war.

There’s no way to turn back the tide. This thing will play itself out like an angry tsunami. The band will not play on. The band will be washed away with the rest of us. Except the Fool on the hill.

I’ve been driving up here for years now. I drink a mocha and smoke ten cigarettes and stare out the dirty windshield, across the valley at the jagged Cascades. Then the voices start. I write down what they say. This is the eve of destruction, they say, it’s all over but the gnashing of teeth. Rest easy in the flow of things, they say. Don’t hate the man in the mirror, he was just following orders. Back off, but not too far. You’ve taken the high ground and they’ve crowned you Fool. Even the Buddha’s going down when the hard rain starts to fall. You knew all this when you were just a boy out on the Wyoming prairie watching the wind blow up dust devils. That’s where the nightmares came from. And the migraines. But you beat the odds and now you’re right where you’re supposed to be. Stay the course.

Those mountains are listening. Great things are about to happen.

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the nowhere man

The Nowhere Man

He shoved the yellow pad away, leaned back in his swivel chair, rubbed his closed eyes with his knuckles, stretched his legs out in front of him and his arms with his hands in fists over his head, yawned, stood up and went home.

He was working at Jingles, a consortium of twenty-somethings that had delivered the death blow to Hallmark. He walked in off the street one day dressed in rags, his gray hair in a tangled. “My name’s Nowhere Man,” he said. “I saw the ad in the paper.”

A sexy young thing behind the reception desk smiled and said, somewhat maliciously, “What ad was that? For a janitor or a corpse?”

“Neither,” he said. “For a jingles writer.”

A guy with a Mohawk dressed in leather who was leaning in a doorway taking in this exchange pushed off and said, “I’m the Chief Coordinator. Let’s see what you’ve got. Sit down behind that computer and complete the sentence fragments that appear every three seconds.”

“I don’t mess with computers,” said Nowhere Man, and Mohawk said, “Well, I guess that’s that then.”

“Fire some stuff at me with your mouth,” said Nowhere Man.

The ‘with your mouth’ phrasing caught Mohawk’s attention. “A stitch in time,” he snapped out, to which Nowhere Man immediately responded, “For a wounded universe.”

“Boot up–” Mohawk began, and Nowhere Man cut him off with, “Your ass.”

“Well now!” said the surprised receptionist, and Nowhere Man said, “Pay later.”

“Yeah, well, listen–” said Mohawk, and Nowhere Man said “To my heart’s song.”

“Jesus!” said the receptionist, and Nowhere Man said, “Of Nazareth.”

“But how long can you keep it up?” asked Mohawk.

“Until the cows come home,” said Nowhere Man.

They hired him on the spot and gave him a cubicle with the electronics stripped out of it. They sat him down behind a wooden desk with a stack of yellow pads, a brace of #2 lead pencils and a desk-mounted pencil sharpener.

He brought in his own draftsman, a guy he called Picasso who never spoke and looked even older than him. Picasso worked on a light table with pen-and-ink, brushes, a straight edge and a compass. Within a month their cards were topping the sales charts.

***

Picasso and Nowhere Man had been getting written up in trade magazines on a regular basis, and then the New York Times did a Sunday spread on them which landed them on the Jay Leno Show.

Picasso sat doodling on a pad, seemingly oblivious to the fact that he was on live national television, and Nowhere Man talked non-stop jingles, which drove Leno crazy. Trying to break the jingles habit, Leno finally asked Nowhere Man in a pseudo-serious voice what his philosophy on life was.

“Ring of Bone,” said Nowhere Man. “Raid kills bugs dead.”

Leno was beginning to not like Nowhere Man. “Pretty heavy, Mr. Bojingles,” he said, and winked at the camera.

A stage hand waved the laugh card at the studio audience, and they laughed right into commercial break.

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the mountains!

The Mountains!

They’re on the hill again. The two little boys I’d seen the day before who’d filled me with happiness by leaning out the back window of a Ford Taurus with their arms spread wide and exclaiming, “Look, Ma! The mountains!” But today they’re on motorized tricycles that, for being no more than four years old, they’re quite adroit at handling. They’re spinning furious circles on the blacktop, one behind the other, oblivious to the mountains they’d been so taken with yesterday. Their mother,young, attractive, sits on the hood of the car, smoking.

“Cute kids,” I call out from my open window over the whine of the tricycles, flourishing my own cigarette in a smoker’s bonding gesture. She looks over at me, smiles, and looks away again.

And then I remember the pogo stick in the trunk.

I get out of the car, startling the mother on the hood of the Taurus. I grin and skip back to the trunk, open it and pull out the pogo stick. I wave the thing over my head and the mother flicks her cigarette into the road. “Kids. Let’s go kids,” she calls.

They keep spinning.

I spring onto the pogo stick with the alacrity of someone who’s spent his life with the circus, my head filling with ancient lost memories, boinging around the center ring with the clowns, my sorrow painted over with a grease-paint smile, the children in the audience screaming and laughing. “Look, Ma! Look at the clowns!”

I’m bouncing high now. I bounce right over one of the kids. I’ve caught their attention. They stop circling, their motors idling, their faces somber, looking for a classification in their meager life’s experience into which they can fit me. They can’t come up with one, and they begin crying.

Their mother slips off the hood, yanks the kids off their tricycles, opens the back door of the Taurus and tosses them in. The riderless tricycles idle off until they bumped into a pine-wood fence.

I’m still on my pogo stick, bouncing higher than ever. I do a somersault in mid-air, land upright, and keep on bouncing.

“Look, kids!” I call, bouncing back and forth over the Taurus. “The mountains! What about the goddamn mountains?”

The kids are screaming their lungs out, and their mother locks all the doors and goes for her cell phone.

***

I can hear the sirens in the distance, and then there they are, three squad cars with flashing red and blue lights, wailing up the one-way road the wrong way.

I clear the length of the first car and crash down on the hood of the second, hit ground in front of the third and go airborne again. But my stick catches on the windshield, and I roll along the roof, bounce off the trunk, and hit the asphalt.

I’m flat on my back with the wind knocked out of me and two cops approaching with drawn pistols. But before they reach me they’re knocked off their feet by two long-haired teenagers on skate boards who come to an abrupt halt on either side of me, hoist me up, and kick off with me between them, poised on their boards and gaining speed on the downhill grade.

“Stop!” I say. “I need to go back for my pogo stick!”

They ignore my request, and when I look over my shoulder, I see a phalanx of boys on skate boards coming up fast behind us. One of them has my pogo stick tucked under his arm.

I realize this is what becomes of small boys who never stop throwing their arms wide to the mountains, and that I’ve become part of the latest threat to Homeland Security.

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the confession of madam x

The Confession of Madam X

“Think of humanity as analogous to the universe, a myriad of quirky and sometimes bizarre realities ranging from the minuscule to the gigantic, each valid in its own right, and–even though it’s not always obvious–all connected. When you look at it this way, it’s okay for a poet to go on writing poems about tea pots and roses, even when terrorists and natural disasters are ripping things apart all around him or her–he or she is as much an essential part of the Big Picture as bin Laden, Mother Teresa or Donald Trump. We each have a part to play. But what happens when someone stops playing his or her part?”

Sam leaned back in his chair with his arms folded over his chest, and smiling, waited for my reply.

“I thought you were a Ninja,” I said.

“Answer the question,” Sam said.

We were finally face to face.

A team of Junior Ninjas had yanked me right out of my car as I sat on the hill smoking and waiting for inspiration to come low and fast over the Manashtash Ridge like a strafing jet fighter. I didn’t resist, I knew it would come to this sooner or later, and I wanted it over with. They blindfolded me and drove around in circles to confuse my sense of direction–I could tell by the way their Hummer kept leaning to the right.

“Maybe,” I said, “when it appears someone has stopped doing his part, he’s actually–“

“His or her,” Sam said.

“What?”

“His or her part.”

“You’re joking.”

“I’m serious,” said Sam.

“Right there in a nutshell is the difference between us,” I said.

“It’s a difference that’s led to your current situation,” said Sam.

“So it is, so it is,” I said.

“What were you about to say?” said Sam.

“I was about to say that a person’s part might not be that simple, so that when it appears he/she’s stopped playing it, he/she is actually deeper into it.”

“Be that as it may,” said Sam, “you have to concede that it is possible for one to stop doing one’s part.”

“I’m not big on concessions,” I said.

“Which is a big part of your problem,” said Sam.

“No,” I said. “It’s a problem of the part.”

“You don’t part your hair,” Sam observed.

“I don’t floss my teeth, either,” I said.

“I’d like to offer an example,” said Sam.

“Of course you would,” I said.

“I’m going to offer an example,” said Sam. “There’s someone I want you to meet.”

“Bring him or her in,” I said. I was still a little ahead of the game.

Sam nodded, and it was then that I noticed the two-way mirror behind him, so intent had I been on meeting his unwavering and penetrating gaze.

The door behind me opened, and someone in high heels entered the room. She walked around and sat next to Sam, folded her hands in her lap. She was dressed in an austere dark-blue suit, her hair pulled back tight in a bun, no make-up. I recognized her, but I’ll protect her identity and call her Madam X. She glanced at me once and looked quickly away.

“You and Madam X are acquainted?” said Sam.

Instead of answering I decided to lean back in my chair and fold my arms over my chest in a parody of Sam. Madam X murmured “Yes.”

“Very well,” said Sam. “Would it surprise you, Jabony–you don’t mind my calling you Jabony, do you?”

He was addressing one of my more aggressive alter egos, but I gave no reaction, inside or out, something I felt the Ninja in Sam would appreciate.

“Very well,” said Sam, addressing the entire array of my alter egos. “Would it surprise any of you that Madam X has ceased writing poetry? It wasn’t a half-hearted decision, it was a rational decision put down in a written declaration.” Sam slid the declaration across the table–a little less than a page of 10-pt type with Madam X’s signature underneath.

“Nothing surprises me anymore,” I said, without touching the paper. “But some things still amaze me. This does neither.”

“Do you think,” said Sam, “that by giving up writing poetry, given her talent, that Madam X has stopped doing her part?”

Sam was putting all his chips on Madam X.

I glanced at Madam X and Sam brought the legs of his chair back to the floor. He leaned forward and folded his hands in front of him on the table top. His knuckled were heavily scarred from years of Ninja combat in the jungles of Asia.

I found myself wondering what the real difference, the crucial difference between us was. In so many ways we were the same, and this is what made the difference so poignant. For either of us to attempt to put it into words would drain every molecule of energy from a surrounding circle of space within a radius of a mile.

Unlike the Masked Man and the Committee and the editorial staffs of Poets & Writers and PEN, Sam saw who I truly was. To come out clean on this one, I would have to destroy Madam X, and Sam knew it wasn’t in my nature. Maybe that was the crucial difference–Sam could annihilate without compunction, I was forever taking in stray cats.

I looked at Madam X again. She’d taught American literature at a junior college for twenty years and had recently retired. She was a professor emeritus. But she’d written some lean, piercing poetry during her tenure, street poetry, if you understand what street poetry truly is. And now she was hanging it up, because, as her declaration stated (I’d taken it in at a glance, something I’d learned years earlier in an Evelyn-Wood speed-reading course), she felt she was expressing the same thoughts and emotions over and over again, and enough was enough. So maybe Madam X had given up.

But sweet Jesus! The vast majority of humans walking the face of the earth have given up. Whatever it is we have inside us that counts, we have it in spades as children, but it gets demolished by the age of 15. The ones who really don’t do their part are the ones who fake still having it after it’s gone, the droves of pseudo poets, for example. Madam X wasn’t one of those, and who’s to say she’d stopped doing her part just because she stopped writing poetry? Poetry is just an expression of something bigger, and all Madam X had done was realize that poetry was no longer a legitimate outlet for her.

Her declaration must have been coerced. It was a confession, not a declaration, and a bogus confession at that. It never would have made it past Winston’s inquisition in 1984. You’ve got to say “Do it to Julia” and mean it before they’ll leave you alone.

I looked back at Sam and smiled. “It’s a confession, not a declaration,” I said.

“No-no,” Madam X murmured.

I scraped my chair back and stood up. “I’m outta here,” I said.

“We’re not done yet,” said Sam, but he knew we were, for the time being at least.

“Can I walk you to your car?” I said to Madam X.

“Please,” she said, and stood up. She was trembling, but she managed to make it to my side of the table.

I took her arm and guided her toward the door. I wondered who was behind the two-way mirror, and figured it must be the Masked Man himself.

There were two Junior Ninjas standing guard outside the door. One of them stuck his head inside to get a take on what action was called for. Sam gave him the stand-down nod.

 

***

In the parking lot, Madam X pulled out an electronic device that made her car chirp and the door locks spring up. It was a hybrid car that could run on gas or electricity.

Madam X got in and started it up, her seat belt swinging into place automatically. “Can I give you a lift?” she asked.

“No, the walk will do me good,” I said.

“I’m sorry,” she said.

“It’s okay,” I said.

“I didn’t mean for you to get dragged into it,” she said.

“It’s okay,” I said again.

“Still–I feel like I’m letting people down,” she said. “There probably aren’t 500 people on the face of the earth who’ve read even one of my poems, but I feel like I’m letting people down.”

She backed out and drove silently away, using the electric half of the car.

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